Viderunt omnes by magister leo

Magister Leoninus Viderunt Omnes When George Gershwin wrote I Got Rhythm, he k red-hot that, for generations to come, listeners and performers too would pay a expert idea of what he meant. after(prenominal) all, there would be recordings and well-to-do rolls of his actual performances of the gash. Not to conjure a standardized n bingle of hand system to black market future performers. Alas, no much(prenominal) medicamental preservatives were available to Magister Leoninus in the sound half of the twelfth century, presuming he would live wanted them even if they had existed. What were his transonic intentions? Well backbone al about of the possibilities utilization deuce really dia metric unital recordings of his variant of the Gradual, from the mound Proper, Viderunt Omnes. angiotensin converting enzyme interpretation, by the EMCL (C. 1975), utilizes a blatant metrical regular recurrenceic structure, darn the other example, by the ensemble Organum (C. 1990), features a a broad deal forgor swingy approach. These leave behind be referred to as metric and forego respectively. The metric stochastic variable has a Western odour that would bet to a greater extent correct to ears of European leaning (or learning). Much as we tend to view the early(prenominal) through the prism of today, those who last set these ancient inflects in standardized promissory note grammatical construction them through an equally deflower gaze. The Benedictine monks left well-nigh embellishment out of their chant settings (C. 1900) because they viewed it as an 18th deoxycytidine monophosphate tradition.1 This bias, along with a fill to have an easily learnable objet dart of music, tended to simplify, rather than embellish, the standardized arrangement. True, it could be argued that the text has a recognised hertzic lilt (conspectum gentium . . . ); however, still one writer from the period, plainly about 1300, noted any line of latitude between the swingy modes and poetic meter.2 Hardly a plate for common dedicate. To my ears, this metric indication sounds stilted and stoic. Almost as if it has been stuffed into ill-fitting clothes by a nearsighted tailor. I telephone the addition of a bell, reinforcing indisputable dgetbeats, insipid at best. For large number who had yet to be enslaved by the clock, this is too squ are. The innocuous mutation sounds much more(prenominal) positive to me; flowing and cascading like a winding river. Could this be more in line with what Leonin mean? Composers of early polyphony were placid off using a horizontal (additive) method in which severally line was its own entity. This would not impart unmitigated rhythm as the later vertical (simultaneous) method of the reincarnation would. disregardless of the composers original intentions, he must have know that this event region would be performed with varying gusto and heed passim the year depending on the occasion. Yes, it could be argued that the discant sections use the very Western ideal of sequences; however, I turn oer it is the eastern exert of centonization at play here. Keeping that in mind, the more Eastern practice of melodic mordents, trills, and frills is not as conducive to strict rhythmic performance as a stark line of line of reasoning melody would be. Marcel Peres supposes a lot of these chants were performed using ribbon that is still living in Byzantine, Syriac, or Coptic numbers.3 preceding(prenominal) all, this piece beneficial sounds more ghostly to me. Immediately the atm strike me as more church-like. unbendable rhythm is for dancing, and no one was dancing to this chant. I depend. Im convince that music adoptd gibe to the environs in which it existed. As music became used for more temporal purposes, it moved out of the sonic sanctuary of the mediaeval churches and into the light. Without the stoney layers of immanent reverb to meld entrances and wobbles in present into a launder of sound, I belive composers and musicians became more aware of precision and the need for it in new surroundings that were not so forgiving of sloppiness. This situation piece remains rooted in the sloppy age. throbbing notation was an emerging craft as was polyphonic composition.

In location of this, I would not hold singers in the thirteenth atomic number 6 to be consistently experient at their execution. Personally, I think the original intention of Leonin was somewhere between the two versions weve dicussed. in one case again, Im assuming Leonin had a ad hoc intention. Like a fewer 20th Century composers, he might have been entirely creating a loose framework, cognise the piece would evolve and change with each performance. Back to my register - I believe the melismatic organum sections were to be performed in an ad-lib rationalize manner. Then, as the discant clausulae appear, the rhythm becomes more important and pulse-like. The near section, the copula, would then table run as a itinerary to unfurl that rhythm into the indistinct organum of the beginning. Leonin was, after all, starting strike down this path of polyphony without a map. By winning taking the old and adding to it (troping), he could rat about new textures without abandoning the old. He was playing with polyphony and discovering the rhythmic innovation it offered. Melodic variation of the time (tuning, 1/4 or 1/3 tones) would require another penning to discuss. In conclusion, I believe that trying to pinpoint a definitive rendering of this piece, or any others from that time period, is not only impossible, but unwarranted. nonetheless today, one can understand examples of fairly new tunes that are contend contrastively in different places on different occasions. Thelonious Monks Round Midnight, within a decennary of its release, was already being played with East Coast changes or West Coast changes. Things would have been much more several(a) before mass communication. However, if I were to pick between the free or metric renditions, I would pick the free version. It just sounds more authentic to my redbrick ears. Besides, an internet search tells the ca-ca: Peres 12, Morrow 0. If you want to get a full essay, order it on our website: Ordercustompaper.com

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