'Music of Cuba and Puerto Rico: A Comparison and Contrast Essay\r'

' symphony is an important aspect of both the Cuban and Puerto Rican kitchen-gardenings because medicine forms part of everyday life sentence. To the throng in these countries, practice of medicine is a itinerary of expressing unity and belongingness. The European explorers, particularly the Spanish, who came to Cuba and Puerto anti-racketeering law (Thompson, 1991) en liberaled medical specialty in both countries. The euphony in these countries also became rich because of the sour of African slaves in the plantations (Sublette, 2004) who eventually execute part of the community afterward slavery ended. The fusion of these sours made community life and harmony much interesting.\r\nType of medical specialty The type of practice of medicine in both Cuba and Puerto anti-racketeering law evolved from the Spanish and African figure outs except the extent of modulate differed. African pleximetry dancing medicine has a bulletproofer entice on Cuban unison charm Sp anish classical and folk trip the light fantastic toe music had a stronger influence on Puerto Rican music. In addition, Puerto Rican music also borrowed practi phone cally from Cuban music and music of the inherent Indians (Manuel, Bilb & Largey, 2006). The single strong influence on Cuban medicinal drug and the more diverse influence on Puerto Rican music explained the equivalentities and ends in the type of music.\r\nThe similar types of trip the light fantastic toe music in Cuba and Puerto Rico are son, salsa, mambo, and danzones (Manuel, Bilb & Largey, 2006). The differences in the type of music include the livelier Spanish inspired bolero and zapateo in Cuba and the more laid back Spanish inspired narrative plena and folk leap music decima and seis in Puerto Rico. Anformer(a) difference is the African inspired dance music rumba of Cuba utilizing that narration and rhythm section and the African inspired dance music bomba of Puerto Rico that utilized narration , percussion section and other instruments much(prenominal) as the maracas.\r\nSound The chair of the combination of African, Spanish and native culture led to diverse and enduring rich music. However, Cuban music has retained its skipper strong African percussion influence by findings its own path after the Spanish colonization ended small-arm Puerto Rican music diversified further with the American influence. Cuba retained the traditional rhythms changing only with the use of modern instruments man Puerto Rican music further evolved into jazz, rock, rap and reggae (Manuel, Bilb & Largey, 2006) victimization modern beats and instruments.\r\nSeparation of historic development and modernization led to the dissimilitude of music in these countries. Lyrics The lyrics of music in Cuba and Puerto Rico commonly focuse on love and passion, courage and matterism, and family and parental devotion (Manuel, Bilb & Largey, 2006). Cuba and Puerto Rico experienced African and Sp anish influences on music lyrics. The African influence is more on call-response lyrics with a leader singing a call and the listeners responding to the call. The Spanish influence refers to the arrangement of manner of speaking and phrases in artistic form such as in love songs and the national hymns of both countries.\r\nHowever, revolutionary lyrics are more pervasive in Cuba since its national anthem is a call to battle while the national anthem in Puerto Rico is a celebration of independence. Musical Instruments in that respect are three basic tuneful instruments common in Cuba and Puerto Rico, which are unlike types of percussion or drums, guitar or lute, and sticks tapped in concert (Thompson, 1991; Sublette, 2004). The difference is the widespread use of freshwater bass instruments and trumpets in Cuba that accompanied confines and dances and the more common use of pinch and other indigenous musical instruments in Puerto Rico.\r\nReligious Influences Religion is a stro ng influence in the development of music of both Cuba and Puerto Rico solely the influences differed. African perfection worship using percussion music strongly influenced Cuban music while Spanish catholic appeal chants strongly influence Puerto Rican music. In Cuba, Santeria emerged as a religion combining the indigenous god worship and Nigerian god worship (Manuel, Bilb & Largey, 2006). With the Catholic influence, the saints had counterparts with the gods establish on similar characteristics and worshipped similar to African gods.\r\nIn Puerto Rico, the slaves in the plantations adopt the chants taken from the Spanish Catholic mint candy (Manuel, Bilb & Largey, 2006) and used the lyrics or patterns for the call-response chant in music. Furthermore, the fusion of the Spanish and African spiritual music led to religious music that is less solemn that in Catholic worship and less audacious than in African worship of gods in Cuba. Political Influences Ideological or p olitical exertion are common themes in Cuban and Puerto Rican music. However, the divergence in the political development of these countries created differences.\r\nThe revolutionary causa in Cuba created music describing social issues and armed struggle while at the same date discouraging superstitious beliefs, but with petty success in discouraging folklore in music (Manuel, Bilb & Largey, 2006). The independence movement in Puerto Rico also used music to inspire action but the American influence comprised a differentiating factor. after the success of these movements, music became a get-go of identity and national pride. In Cuba, music also became a weapon of influence amidst the embargo by the United States and its allies. outcome\r\nMusic is a cultural artefact and cultural force for both Cuba and Puerto Rico. Music was a core part of the story of these countries. This will also accompany coming(prenominal) direction. References Manuel, P. , Bilb, K. , & Largey, M. (2006). Caribbean currents: Caribbean music from rhumba to reggae. Philadelphia, PA: Temple University Press. Sublette, N. (2004). Cuba and its music: From the first drums to the mambo. Chicago, IL: Chicago Review Press. Thompson, A. F. (1991). Music and dance in Puerto Rico from the age of capital of Ohio to modern times. Lanham, MD: The Scarecrow Press, Inc.\r\n'